- COLOR FINALE PRO SATURATION HOW TO
- COLOR FINALE PRO SATURATION FULL
- COLOR FINALE PRO SATURATION SERIES
Drag the slider to the right to add some red, to give the image warmer color temperature. Drag the slider to the left to add some subtle blue color which will give your image a cooler color temperature. However, the Warmth slider will do wonders in adjusting the warmth or coolness in your image. The Saturation slider simply controls the saturation of the photo, no mysteries here. This filter gives you control over the vibrance using three sliders. This filter is the one to use if you want more warmth or coolness in your photo. Select the “Fine” option under Effect Radius to make Color Efex Pro 4 concentrate on bringing out more texture from smaller objects. If you would like to be in charge of whether the detail extractor filter focuses on texture or only larger objects, just change the Effect Radius drop down option. The Contrast slider controls the overall contrast in your image while the Saturation slider adjusts the color vibrancy in your image.
It defaults to 25% which usually is enough. The Detail Extractor slider works by brightening the shadows and darkening the highlights while exaggerating details. This filter does a fantastic job of bringing forth details that are already in the image to begin with, but not visible.
COLOR FINALE PRO SATURATION HOW TO
I have gathered 5 of the best and most powerful Nik Color Efex Pro 4 filters and how to use them to create fantastic photos. You have to start from scratch it’s not going to show you the correction.How do you know which filter in Nik Color Efex Pro 4 you should use for processing your photos? With a total of 55 filters in Color Efex Pro 4, there is a lot of filters to explore. So even if it got it close and you just need to tweak it, you can't do that.
What’s more, once you click the Balance Color checkbox and Final Cut Pro changes your image to what it thinks it should be, and then you go into the color board, you’ll find Color, Saturation, and Exposure at their neutral settings, so it doesn’t actually show you a representation of what it did. If a shot is a little too warm, it tends to cool it off too much if a shot’s too cold, it’ll make it too warm. The problem is, I’ve found from experience in my edits is that it’s not very effective. For example, if a shot was captured with the wrong white balance-say, if it’s too blue or too red-Final Cut Pro will try to look at all of the pixels, analyze the color, and try to balance it. The first thing we’ll look at is Balance color note that in Figure 2 it says, “Balance: Not Analyzed.” Balance Color refers to Final Cut Pro’s ability to look at a shot and balance the color to what it thinks it should be. The Color section of the Inspector Balance Color In this tutorial we’re going to round it out and talk about the rest of the functionality it offers.įigure 2.
COLOR FINALE PRO SATURATION FULL
The Color section of the Inspector ( Figure 2, below) is chock full of functionality, and in the last tutorial we only scratched the surface. The Color, Saturation, and Exposure tabs in the Color section of the Inspector. We also went over the three major boards in the Color section, which are Color, Saturation, and Exposure ( Figure 1, below).įigure 1. In the last tutorial we discussed how to make sure your clips were properly selected to load them into the viewer and edit them in the Color section of the Inspector.
COLOR FINALE PRO SATURATION SERIES
Welcome to the second installment of our series on inspecting the Inspector in Final Cut Pro X.
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